Inspired by true events - Follows the story of two corrupt policemen Sammy Canzano (David Arquette) and Leo Beneti (Jeremy Luke) who committed a series of horrific assassinations and other crimes for the New York crime families in the mid-1980's to 1990's. Meanwhile, NYPD detectives Varrone (Kevin Connolly) and Delgado (Danny A Abeckaser) must carefully use their investigative skills to track and expose the crooked cops, ultimately bringing them to justice.

Inspired by true events - Follows the story of two corrupt policemen Sammy Canzano (David Arquette) and Leo Beneti (Jeremy Luke) who committed a series of horrific assassinations and other crimes for the New York crime families in the mid-1980's to 1990's. Meanwhile, NYPD detectives Varrone (Kevin Connolly) and Delgado (Danny A Abeckaser) must carefully use their investigative skills to track and expose the crooked cops, ultimately bringing them to justice.

20世纪80年代的曼谷，当一名铁血侦探步步紧逼，追查一伙臭名昭著的劫匪团伙时，两名罪犯陷入困境，他们的情谊面临严峻考验。

A policeman woos a cook for the free meals. When her employer discovers them, the policeman tries to escape, but the employer throws a jug of milk on him.

Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to. 　　“Dealer” uses the form of the gangster film for a superb character study of a young man on his way down. It’s a bleak film, as most of the Berlin School films, but Arslan’s precision is astonishing. His framing of the action (or rather non-action) is almost geometrical, Arslan has a keen eye for space – space that is mostly empty in his film. His characers are lost in the city, although they are never alone. Abandoning all conventional mumbo jumbo like character psychology or empathy, “Dealer” remains as erratic as his main protagonist. It was Arslan’s second film of his 'Berin Trilogy' and the first of his films critics described as ‘Bressonian’. It is nothing but true. “Dealer” displays an honesty and depth that is rarely seen in German cinema. Arslan was never this good again.

Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to. 　　“Dealer” uses the form of the gangster film for a superb character study of a young man on his way down. It’s a bleak film, as most of the Berlin School films, but Arslan’s precision is astonishing. His framing of the action (or rather non-action) is almost geometrical, Arslan has a keen eye for space – space that is mostly empty in his film. His characers are lost in the city, although they are never alone. Abandoning all conventional mumbo jumbo like character psychology or empathy, “Dealer” remains as erratic as his main protagonist. It was Arslan’s second film of his 'Berin Trilogy' and the first of his films critics described as ‘Bressonian’. It is nothing but true. “Dealer” displays an honesty and depth that is rarely seen in German cinema. Arslan was never this good again.

高口碑获奖悬疑佳作！狂揽海内外电影奖项，藏地电影类型化的全新突破，前所未有的“荒野狼人杀”式沉浸观影体验！ 暴风雪夜，护林员桑杰（金巴饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦饰），惊魂未定间，又一位男子（达杰丁增饰）持枪闯入，声称他才是真的森林公安…… 是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……

高口碑获奖悬疑佳作！狂揽海内外电影奖项，藏地电影类型化的全新突破，前所未有的“荒野狼人杀”式沉浸观影体验！ 暴风雪夜，护林员桑杰（金巴饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦饰），惊魂未定间，又一位男子（达杰丁增饰）持枪闯入，声称他才是真的森林公安…… 是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……

该片讲述了一个牧羊少年因目睹一起杀人案，竟被人推下悬崖。一个平民在孤独的抗议，被当街射杀，尸体在流血，无人问津。正直的警察局长蓬纳维亚早就对法律的公正丧失信心，雇凶不成，就自己充当杀手，干掉了这一切罪恶的幕后黑手——一个名义上的地产承包商罗蒙诺。而自己在自首后，被买通的犯人在狱中杀害。

抗日时期，华北地区遍地烽火，中共领导下的八路军面对着敌人的步步紧逼勉力周旋。指导员王金（陶泽如 饰）本来从事敌后工作，因叛徒陷害而遭到组织怀疑，被和三名土匪、三名逃兵、一名奸细（谢园 饰）以及一名投毒犯放在一起关押。王金求助锄奸科长许志（陈道明 饰）重新查明自己的案情，但各部队失去联系，后有日军追兵，许志无法证明王金的清白。在王金和其他八名犯人的交往中，他用刚正忠诚的人格魅力打动了土匪头目大秃子（赵小锐 饰），以及逃兵中的老大哥老万头（魏宗万 饰）。不久，部队陷入日军包围，许志身负重伤，王金等人以待罪之身迎击日寇……